Pink Floyd playing cymbaline on a soundcheck for a St. Tropez show…

GARAGE CAFE…

Live @ KQED TV show 1970….

12/28/11 Eric Clapton solo from 24 Nights. by Michael Matza Nachoec is another great guitarist on youtube who’s got clapton down to a science. He uses a gold leaf strat with fender lace sensors while I am using the current vintage noiseless pickups. Compare tones if you wish. Clapton used the lace sensors throughout the 80s and 90′s (on 24 Nights) and other great DVDs. Enjoy!…

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Live 1968 1.Let there be more light 2.Flaming(3:43)….

“Julia Dream” Sunlight bright upon my pillow Lighter than an eiderdown Will she let the weeping willow Wind his branches round Julia dream, dreamboat queen, queen of all my dreams Every night I turn the light out Waiting for the velvet bride Will the scaly armadillo Find me where I’m hiding Julia dream, dreamboat queen, queen of all my dreams Will the misty master break me Will the key unlock my mind Will the following footsteps catch me Am I really dying Julia dream, dreamboat queen, queen of all my dreams…

1.Astronomy Domine 2.Flaming(2:40) 3.Set The Controls for the Heart of the Sun(5:18) 4.Let There Be More Light(9:50)….

Viewy Souls: Burning Bridges (acoustic) Album: Remember a Day: a tribute to Pink Floyd and Richard Wright viewysouls.com…

“Us and Them” is rather quiet in tone and dynamics, although the choruses are louder than the verses. It has two saxophone solos in it, one at the beginning and another towards the end of the song. Richard Wright introduces the song with harmonies on his Hammond organ, and put a piano chordal backing and short piano solo afterwards on the arrangement. The tune was originally written on the piano by Richard Wright for the movie Zabriskie Point in 1969 and was titled “The Violent Sequence”. In its original demo form it was instrumental, featuring only piano and bass. Director Michelangelo Antonioni rejected it on the grounds that it was too unlike their “Careful with That Axe, Eugene”-esque work, which was the style of music he wanted to use. As Waters recalls it in impersonation, Antonioni’s response was, “It’s beautiful, but is it too sad, you know? It makes me think of church”. The song was shelved until Dark Side of the Moon where Waters put some vocals in to it….