a personal interpretation & instrumental impression to celebrate Pink Floyd and in the memory of Richard Wright, passed away on september 15th 2008. The intro and the outtro refer to the glorious days of the fabulous band. My gear: Takamine Nylon classic, Tacoma dreadnought and the DG-Relic Black Strat. The amps: an old custom 50w Hiwatt and a Reeves custom 50 PS, each amp plugged into a Reeves 1 x 12 vintage purple speaker cabinet via 2 way system. Pedals: Nova delay, Boss GE7 and Demeter compulator, Pete Cornish line driver always active. For this song: Guitar intro: Pete Cornish P-2, Boss RT-20, Boss CE-5. Lead guitar: BK Tube driver, Lovepedal Eternity6, Pete Cornish SS-3/ switched to SS-3/G-2. Backing lead chords: Pete Cornish SS-3, Lovepedal Eternity 6. Fade out “Crazy diamond” theme: Pete Cornish SS-3, Lovepedal Eternity 6. Microphones: Shure SM57, recording program Cubase Essential5, mixing consol Yamaha MG124CX.. Synthesizer: old Korg X3 for intro chords & additional bass. backing track provided by Ryan Gately and GuitarBackingTrack.com. I made loops in the track to get the Concert lenght. All guitars, keyboards & additional synthesizer bass played and home recorded by Michel Gypen. Since I’ve been instructed by ken Marcelis for basic Cubase programming I finally got started and I am intended to keep on going….

If you liked this video save to favourites and subscribe to my Channel to view some more vids like this! This is the last of five videos of the Dark Side serie. I hope you enjoyed the series and keep on rocking! Gear used: – Boss Blues Driver (without any mods) – Danelectro Chicken Salad – Line 6 Pod XT (Vetta Comp, Hiwatt, Leslie, Comp/Gate) – Behringer Modulizer (Compressor) – Lexicon MX200 (Delay: 788ms, Large Plate: 1,34s) – Post Production: Vento (free Video taken from the PULSE DVD Amazon.de: © Sony Music Entertainment Inc….

Pink Floyd Marrooned – Division Bell with Fender Black Strat cover played by me…

moped alpha super race mountain autobahn cool nature crazy driver ?????”? Pink Floyd. Another Brick in the Wall”remix.extended Long version.cover clip Top Gear Super challenge: MOPED Funny torgear’s RACE soundtrek- Italo disco.Rap REMIX.. “- ?????……

Just thought I’d do another cover since I haven’t done one in a while. I just pulled my Hiwatt out of storage and moved back into my recently renovated house and decided to re-record this one for a better guitar tone with my Custom 50. Thanks for watching!…

Strat – Skreddy Pig Mine – Butler tube driver – DE-7 – Peavey classic 30. The camera used is a Kodak Playsport….

I finally managed to get my David Gilmour/PULSE era inspired pedal board to sound good enough for a little demo. Song parts in order of appearance: 0:00 – Shine On? You Crazy Diamond (intro solo, Syd’s Theme, 2nd solo) 4:28 – What Do You Want From Me (intro solo plus other parts) 5:44 – Coming Back To Life (intro solo, 2nd solo, ending) 8:48 – Breathe (theme chords) 9:11 – Time (solo) 11:12 – Comfortably Numb (1st solo, some early parts of 2nd solo) 13:00 – Sorrow (intro and solo parts) Click the times marked as links and get directed to the related spots in the vid (just in case you didn’t know Please excuse my bad timing on Syd’s Theme… but I was fine with the rest of the take, so I decided to keep it… Basically the choice of gear is quite similar to the original gear used in the 1994 Pink Floyd tour rig. There are two compressors, a Muff, a Tube Driver, a UniVibe clone, analog chorus and delay(s). What I don’t use is a second Tube Driver, a third (stomp) compressor, a Soft Sustain and a RAT (and all the GE-7 EQs). There is a H&K TubeFactor instead, that gives me SS-2ish tones on ch1 and RATty tones on ch2 (in combination with a MXR style compressor). In addition the TubeFactor makes a good job driving the Muff just like the clean set Tube Driver did in the original rig. Unfortunately the compressor is pretty noisy and the TubeFactor’s ch2 boosts that noise a little too much. Gotta check if there is anything I can do to get it quieter… The Vibe is active all ……

I finally managed to get my David Gilmour/PULSE era inspired pedal board to sound good enough for a little demo. Please excuse my bad timing on Syd’s Theme… but I was fine with the rest of the take, so I decided to keep it… Basically the choice of gear is quite similar to the original gear used in the 1994 Pink Floyd tour rig. There are two compressors, a Muff, a Tube Driver, a UniVibe clone, analog chorus and delay(s). What I don’t use is a second Tube Driver, a third (stomp) compressor, a Soft Sustain and a RAT (and all the GE-7 EQs). There is a H&K TubeFactor instead, that gives me SS-2ish tones on ch1 and RATty tones on ch2 (in combination with a MXR style compressor). In addition the TubeFactor makes a good job driving the Muff just like the clean set Tube Driver did in the original rig. Unfortunately the compressor is pretty noisy and the TubeFactor’s ch2 boosts that noise a little too much. Gotta check if there is anything I can do to get it quieter… The Vibe is active all the time (set to subtle chorus mode) to give me some additional modulation – a bit of what the Doppolas did on the 94 tour… while the not so subtle phasing mode is only used for Breathe and the Time solo of course. Plus, with the buffer employed the Vibe freshes up the signal and is set to perform a bit of a clean boost, too. The Muff model of my choice is pretty versatile and provides me with two different tones that are close to the two separate Muffs in the original rig. What you see ……

I finally managed to get my David Gilmour/PULSE era inspired pedal board to sound good enough for a little demo. Please excuse my bad timing on Syd’s Theme… but I was fine with the rest of the take, so I decided to keep it… Basically the choice of gear is quite similar to the original gear used in the 1994 Pink Floyd tour rig. There are two compressors, a Muff, a Tube Driver, a UniVibe clone, analog chorus and delay(s). What I don’t use is a second Tube Driver, a third (stomp) compressor, a Soft Sustain and a RAT (and all the GE-7 EQs). There is a H&K TubeFactor instead, that gives me SS-2ish tones on ch1 and RATty tones on ch2 (in combination with a MXR style compressor). In addition the TubeFactor makes a good job driving the Muff just like the clean set Tube Driver did in the original rig. Unfortunately the compressor is pretty noisy and the TubeFactor’s ch2 boosts that noise a little too much. Gotta check if there is anything I can do to get it quieter… The Vibe is active all the time (set to subtle chorus mode) to give me some additional modulation – a bit of what the Doppolas did on the 94 tour… while the not so subtle phasing mode is only used for Breathe and the Time solo of course. Plus, with the buffer employed the Vibe freshes up the signal and is set to perform a bit of a clean boost, too. The Muff model of my choice is pretty versatile and provides me with two different tones that are close to the two separate Muffs in the original rig. What you see ……

Strat – Skreddy Pig Mine – Butler tube driver – DE-7 – Peavey classic 30. The camera used is a Kodak Playsport….