Posted: 03/30 @ 05:03 pmPink Floyd TV Special Coming
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Loading ...Posted: 03/30 @ 05:03 pmTickets available for Mobile Symphony Orchestra’s Pink Floyd show – Press-Register
MOBILE, Alabama — Tickets remain available for the Mobile Symphony Orchestra’s Saturday presentation of “The Music of Pink Floyd,” according to information provided by the symphony.
The show was developed by Windborne Productions, the same company that was behind a successful Led Zeppelin concert that the symphony presented last spring. Like that concert, it will feature composer/conductor Brent Havens, lead singer Randy Jackson and a full rock band working in conjunction with the MSO.
According to promotional materials it will include 17 Pink Floyd tunes including “Money,” “Learning to Fly,” “Comfortably Numb” and selections from “The Wall.”
The show takes place at 8 p.m. Saturday, March 31, at the Mobile Saenger Theatre, 6 S. Joachim St. Ticket prices range from $35 to $83; tickets are available through www.mobilesymphony.org.
The symphony’s box office is at the Larkins Music Center, 257 Dauphin St., and can be reached by calling 251-432-2010. The box office will be open until 5 p.m. Friday and will open at 10 a.m. Saturday.
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(No Ratings Yet) Loading ...Posted: 03/30 @ 05:03 pmTickets available for Mobile Symphony Orchestra’s Pink Floyd show
MOBILE, Alabama — Tickets remain available for the Mobile Symphony Orchestra’s Saturday presentation of “The Music of Pink Floyd,” according to information provided by the symphony.
The show was developed by Windborne Productions, the same company that was behind a successful Led Zeppelin concert that the symphony presented last spring. Like that concert, it will feature composer/conductor Brent Havens, lead singer Randy Jackson and a full rock band working in conjunction with the MSO.
According to promotional materials it will include 17 Pink Floyd tunes including “Money,” “Learning to Fly,” “Comfortably Numb” and selections from “The Wall.”
The show takes place at 8 p.m. Saturday, March 31, at the Mobile Saenger Theatre, 6 S. Joachim St. Ticket prices range from $35 to $83; tickets are available through www.mobilesymphony.org.
The symphony’s box office is at the Larkins Music Center, 257 Dauphin St., and can be reached by calling 251-432-2010. The box office will be open until 5 p.m. Friday and will open at 10 a.m. Saturday.
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(No Ratings Yet) Loading ...Posted: 03/30 @ 05:03 pm“fuckin perfect”-pink(clean version) (cover)
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facebook: I’m covering Pink’s “Fuckin Perfect”. I hope you guys like it. I have two kids and this song is deciated to them because they will always be perfect to me no matter what anyone tells them. Insturmental guitar is by check him out he is really good. Please comment like and sub!!!! xoxo Jackie Nicole… |
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(No Ratings Yet) Loading ...Posted: 03/30 @ 05:03 pmRoger walters the wall – in the flesh? 25/03/2012 porto alegre
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Abertura do espetáculo Estádio Beira-Rio Porto Alegre… |
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(1 votes, average: 9.00 out of 10) Loading ...Posted: 03/30 @ 01:03 pmSpeed portrait – yoel villanueva
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Speed Painting Portrait – Song – Pink floyd (Cluster one – Division bell) Richard William Wright ,pianist,keyboardist & songwriter of Pink Floyd´s band ( 28 July 1943 – 15 September 2008 ) Download wallpaper portrait – tinypic.com by Yoel Villanueva – Email.nakedthorns@rocketmail.com Photoshop CS5 – Wacom – bamboo tablet – Nch software video – |
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(No Ratings Yet) Loading ...Posted: 03/30 @ 01:03 pmPink floyd – arnold layne syd & rick’s vocals
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snippet of Syd & Rick’s vocals from early ’67… |
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(No Ratings Yet) Loading ...Posted: 03/30 @ 11:03 amClassic guitar interview: David Gilmour, 2006
Classic guitar interview: David Gilmour, 2006
Pink Floyd reunion, guitars, amps, On An Island discussed
Guitarist, Fri 30 Mar 2012, 11:23 am BST
Gilmour onstage in Rome in 2006 (© Simone Cecchetti/Corbis)
View in gallery
When the Pink Floyd guitar legend returned in 2006 with his first solo album in over 20 years, it was clearly time for a chat…
Passing through an ancient vaulted tunnel, the visitor to Astoria emerges into an impeccably kept garden that slopes gently downward to the Thames. David Gilmour’s houseboat studio rides at anchor by the river bank, just beyond a leafy grove of bamboo and willows.
The boat, too, is named Astoria. It’s not a large craft; there’s barely space for a well-stocked control room, dominated by a huge Neve mixing console, and a small elegant parlour that doubles as a tracking room. A narrow passageway panelled in dark wood connects the two spaces, also giving access to a few tiny side chambers along the way.
“You could say that after being a professional musician for 40 years I should know what I’m fucking doing. But I find it best to just hurl myself into it in a different way each time.”
The boat was built in 1912 by English showbiz entrepreneur Fred Karno. “He was the guy who discovered Charlie Chaplin and Stan Laurel,” Gilmour explains. “He wanted to have his own private home place, knocking shop, whatever… It was never built to sail. It’s strictly a houseboat. If you want to move it, you get a tug and tow it. My idea was to make it as good in here as we can reasonably get it, sound-wise, without fucking with the space too much.”
This boat is where Gilmour recorded much of Pink Floyd’s final two albums A Monetary Lapse Of Reason (1987) and The Division Bell (1994), and it was also the main site of sessions for Gilmour’s new solo album, On An Island.
The record is very much a reflection of the place where it was made – serene, unhurried. Gauzy layers of shimmering sound unfold at a stately pace, providing a lavish backdrop for Gilmour’s soaring guitar and that ethereally expressive vocal style well-known and loved from Pink Floyd’s catalogue of classics.
There are occasional excursions into the blues and other slightly rougher terrains, but mostly this is a record for gazing peacefully at the river “I was just letting it all flow out as naturally as it can,” reflects Gilmour. “There are quite a lot of those melancholy major seventh chords and 3/4 waltz tempos. That must be the mood I’m in.”
To see where On An Island was made is to understand why Gilmour had to be almost forcibly pried from the studio to take part in Floyd’s reunion at Live 8. Nobody thought David Gilmour would ever get on a stage again with Roger Waters after the pair’s many quarrels. They did just that, however.
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(No Ratings Yet) Loading ...Posted: 03/30 @ 11:03 am“Floydian Slip” preview #834
“Floydian Slip” preview #834
Posted March 30, 2012 by Floydian Slip
Join us this week for Floydian Slip #834:
- An early mix from “The Dark Side of the Moon”
- A cut from “The Final Cut”
- Rare live Floyd from 1994
- And much more
“Floydian Slip” is heard across the 30 stations of our Random Precision Radio Network. Learn where and when to listen.
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