Barclays chief Bob Diamond is banking on a quick return to huge profits

Bamboozling figures don’t help things. You can’t blame Barclays for the
cockeyed industry accounting – aka “debt valuation adjustment”
– that takes a bank’s own debt and not only repackages it as profit but one
that gets bigger the worse the situation gets. That added £2.97bn to
Barclays’ profits in the first nine months of 2011 – even if it was offset
by a £1.8bn writedown against BlackRock and a £1bn provision for PPI
mis-selling.

But what about the £559m net benefit from a hedge against low interest rates,
which so troubled the analysts? It’s not what you’d call high-quality
earnings – and it’s a big number in the context of £5bn pre-tax profits.

Improvements at the UK and African retail banks, corporate lending,
Barclaycard and wealth management show a business going in the right
direction. And Diamond has demonstrated his old trading skills in cutting
exposure to Spain, Italy, Portugal, Ireland and Greece by 31pc to £8bn.

But hitting the 13pc target still depends largely on £1bn of cost cuts,
economic recovery and, most of all Barcap – the business Bob built. Even in
a bad year, the investment bank is by far the biggest driver of profits – no
matter that they fell 19pc to £2.7bn in the first nine months.

In short, Diamond is banking on a quick return to the sort of world that those
Pink Floyd rockers sang about in another tune Money – one where you
could still “make a stash”.

You sort of hope he’s right, for the sake of economic recovery as much as the
Barclays share price. Even if, right now, such wishful thinking does seem
kinda crazy.

David Cameron must stop writing about infrastructure and start delivering it

Here’s one reason for the noise pollution around Heathrow airport: the howls
of anguish from Willie Walsh, of British Airways fame, and all the other
airline chiefs.

The reason? More disingenuous posturing by this Government over the importance
of new infrastructure to the British economy. David Cameron was at it again
on Monday, writing in the Financial Times about how “in terms of
future productivity” our “infrastructure deficit is as serious as
our budget deficit”.

That’s the same Cameron who took the politically expedient decision in the
run-up to the election to block a third runway at Heathrow – and has since
pretended that if he doesn’t think about the problem of new airport
capacity, it will simply go away.

As it happens, there are credible reasons for not building a third runway. Not
least that, to get the full benefit of it, you’d need a sixth and seventh
terminal – and that would involve knocking down Hounslow, which, come to
think of it, might be a reason to push ahead.

Not to have any sort of aviation policy whatsoever, though, is plane
irresponsible. If not Heathrow, which even Labour now opposes, then where?
The proposal by Mayor of London Boris Johnson for a new Thames Estuary
airport may run to tens of billions of pounds, but at least you could expand
it.

FTI Consulting, in a report admittedly commissioned by Gatwick airport, on
Monday claimed that the “do nothing” approach to runway expansion
could cost the British economy 15,000 jobs annually and up to £47bn in lost
economic benefits over the next 30 to 50 years. After 18 months in the job,
Cameron must stop writing about infrastructure and start delivering it.

alistair.osborne@telegraph.co.uk

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Pink Floyd Guitarist’s Son Loses Appeal

Mon, 31 Oct 2011 15:02:31

Pink Floyd Guitarist's Son Loses Appeal - He will not have his prison sentence shortened

Pink Floyd Photos

  • Pink Floyd - LONDON, ENGLAND - SEPTEMBER 26:  An inflatable pig flies above Battersea Power Station in a recreation of Pink Floyd's 'Animals' album cover on September 26, 2011 in London, England. The classic Pink Floyd album artwork was recreated to mark the release of several digitally remastered versions of their albums.
  • Pink Floyd - Roger Waters, bassist from the Rock group Pink Floyd, performs (L) at a concert of The Wall at the Bercy POPB concert hall in Paris on May 30, 2011.
  • Pink Floyd - Roger Waters, bassist from the Rock group Pink Floyd, performs at a concert of The Wall at the Bercy POPB concert hall in Paris on May 30, 2011.


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    David Gilmour Videos

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      Bad news for Pink Floyd guitarist David Gilmour and his adopted son Charlie. Charlie has lost an appeal against his prison sentence for taking part in a riot during student protests in London last year.

      Young Chuck was sentenced to 16 months behind bars for violent disorder for his part in a mass demonstration over a huge hike in university tuition fees. Charlie, 21, stomped all over a war memorial and also urged other protesters to attack the British capital’s Houses of Parliament. Rebellious youth! He was essentially a pissed off youth, rioting in the streets.

      Gilmour went back to court to fight his sentence, filing an appeal earlier this month. However, the BBC reports that the judges at the Court of Appeal turned down his request on Friday, ruling his punishment was not “unduly harsh.”

      What do you think of the punishment? Does it fit the “crime?”

      —Amy Sciarretto
      10.31.11

      Tags: David Gilmour, Pink Floyd

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      “sheep” performed by interstellar overdrive – the pink floyd experience

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      Interstellar Overdrive – The Pink Floyd Experience, Bischofsheim, Germany, 29.10.2011…

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      Rio floyd machine – what do you want from me

      Rio floyd machine - what do you want from me

      Bar Vittório, Rio de Janeiro – 10/09/2011…

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      (pink floyd) – goodbye blue sky – fatih bogaards

      (pink floyd) - goodbye blue sky - fatih bogaards

      Fatih Plays Pink Floyd’s Goodbye Blue sky arranged by Tomi Paladinus….

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      Pink floyd – any colour you like, brain damage and eclipse (hq)

      Pink floyd - any colour you like, brain damage and eclipse (hq)

      These are the three last tracks from the “Dark Side of the Moon” (1973) album: Any Colour You Like, Brain Damage and Eclipse by Pink Floyd. Lyrics: (Instrumental) The lunatic is on the grass The lunatic is on the grass Remembering games and daisy chains and laughs Got to keep the loonies on the path The lunatic is in the hall The lunatics are in my hall The paper holds their folded faces to the floor And every day the paper boy brings more And if the dam breaks open many years too soon And if there is no room upon the hill And if your head explodes with dark forbodings too I’ll see you on the dark side of the moon The lunatic is in my head The lunatic is in my head You raise the blade, you make the change You re-arrange me ’till I’m sane You lock the door And throw away the key There’s someone in my head but it’s not me. And if the cloud bursts, thunder in your ear You shout and no one seems to hear And if the band you’re in starts playing different tunes I’ll see you on the dark side of the moon “I can’t think of anything to say except… I think it’s marvellous! HaHaHa!” All that you touch and all that you see All that you taste All you feel. and all that you love and all that you hate All you distrust All you save. and all that you give and all that you deal and all that you buy, beg, borrow or steal. and all you create and all you destroy and all that you do and all that you say. and all that you eat And everyone you meet and all that you slight And everyone you fight ……

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      “lucifer sam” performed by interstellar overdrive – the pink floyd experience

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      Interstellar Overdrive – The Pink Floyd Experience, Bischofsheim, Germany, 29.10.2011…

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      Pink floyd ? goodbye blue sky.

      Pink floyd ? goodbye blue sky.

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      Album Review: Pink Floyd, Dark Side of the Moon

      March 1, 1973. Who would have thought that the album released on that day, Dark Side of the Moon, could be in sight of a staggering 50 million copies – the third best-seller of all time.

      This Experience Edition of Dark Side of the Moon features a re-engineered version of the original classic, as well as a 1974 live version recorded at The Empire Pool, at London’s Wembley.

      The engineers have delivered a version that’s even more impressive and cleaner in sound than the original version I have listened to year in and year out since 1973.

      And the bonus live recording is also stunning. I just wish I’d been there to have caught this concert.

      Still, the next best thing is to enjoy both the live concert and sparkling clean sound the engineers have created from the original master tapes.

      Pink Floyd
      Dark Side of the Moon: Experience Edition (EMI)
      Stars:
      5/5

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      State Theatre shows ‘Dark Side of Oz’

      Shown at The State Theatre on Friday night, “Dark Side of Oz,” the combination of “Wizard of Oz” and Pink Floyd’s “Dark Side of the Moon,” left the audience dazzled but skeptical.

      Sierra Chapin first watched “Dark Side of Oz” when she was 15 years old and said she is still amazed by the combination of “Wizard of Oz” and “Dark Side of the Moon.”

      “I think it’s odd that not only does the music correlate so perfectly, but also look at the album art for ‘Dark Side of the Moon,’ ” Chapin (senior-journalism) said.

      The album “Dark Side of the Moon” has a rainbow on the cover that Chapin believes is more than a coincidence.

      Members of Pink Floyd have long denied that they purposely wrote “Dark Side of the Moon” with “Wizard of Oz” in mind, but the synchronization from scenes in the movie and album are endless.

      When Dorothy first meets the Scarecrow, the song “Brain Damage” is being played. The Scarecrow is the character in “Wizard of Oz” who sings “If I Only Had A Brain.”

      When Dorothy and the Scarecrow meet the Tin Man, the song “Eclipse” is playing. The song ends with the sound of a heartbeat, and at that same time, Dorothy is trying to listen for a heartbeat inside the Tin Man.

      “Dark Side of the Moon” repeats itself twice throughout the length of the film.

      Christopher Carson said the first run through “Dark Side of the Moon” was where he noticed the biggest similarities.

      During the third song “Time,” Carson (senior-materials science and engineering) said how Dorothy’s movements were synchronized with the music, especially when the low bass notes occurred.

      Carson said it was cool seeing how well the music went with the scene where Dorothy walked into a world of color and entered Munchkinland.

      “When Dorothy walked out of the house into Munchkinland and ‘Money’ started playing, it was weird how well the timing of the scene and the song went together,” Carson said.

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